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De Tact et d’élégance
Works by Graf, Haydn and Mozart
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Traverso, violin, cello and harpsichord
Transition eras are not the most favorable to the creation of masterpieces, but they never cease to fascinate us. That is why, starting from the 1750s, the “gallant” style started to appear everywhere in Europe, clashing with the rigid baroque form. It lightened the soundscape, cultivated an easier, more flowing and “natural” melody, therefore creating a somewhat lighter music, in a good way. In the 1770s, the Austrian masters, namely Haydn and Mozart, gave real depth to these new practices, exploiting bithematism and expanding new forms of music. But they could not resist the elegance of the gallant style, which they continued to apply for some time, especially in their chamber music.[/vc_column_text][vc_empty_space][icon_text box_type=”normal” icon=”fa-book” icon_type=”normal” icon_position=”left_from_title” icon_size=”fa-lg” use_custom_icon_size=”no” title_tag=”h5″ separator=”no” title=”Program notes” icon_color=”#c61fe8″][vc_column_text css=”.vc_custom_1618498202005{margin-top: -40px !important;}”]
Of Tact and Elegance: Gallant and Classic, by François Filiatrault
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[/vc_column_inner][/vc_row_inner][vc_empty_space][icon_text box_type=”normal” icon=”fa-desktop” icon_type=”normal” icon_position=”left_from_title” icon_size=”fa-lg” use_custom_icon_size=”no” title_tag=”h5″ separator=”no” separator_top_margin=”0″ separator_bottom_margin=”0″ title=”Offered in person and online” icon_color=”#c61fe8″][vc_column_text css=”.vc_custom_1617820669870{margin-top: -40px !important;}”]Limited seating
Broadcasted online
[/vc_column_text][vc_empty_space][/vc_column][vc_column width=”1/3″][icon_text box_type=”normal” icon=”fa-calendar” icon_type=”normal” icon_position=”left_from_title” icon_size=”fa-lg” use_custom_icon_size=”no” title_tag=”h5″ separator=”no” separator_top_margin=”0″ separator_bottom_margin=”0″ title=”Saturday April 24 2021, 3:30 PM” icon_color=”#c61fe8″][icon_text box_type=”normal” icon=”fa-ticket” icon_type=”normal” icon_position=”left_from_title” icon_size=”fa-lg” use_custom_icon_size=”no” title_tag=”h5″ separator=”no” separator_top_margin=”0″ separator_bottom_margin=”0″ title=”Tickets” icon_color=”#c61fe8″][vc_column_text css=”.vc_custom_1617888583380{margin-top: -40px !important;}”]
In person
$35 Regular – $26,25 Fan favorite
$30 Senior – $22,50 Fan favorite
$10 30 and younger – $7,50 Fan favorite
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[/vc_column_inner][/vc_row_inner][vc_empty_space height=”16px”][vc_column_text]Online
$20 Single price – $15 Fan favorite
On sale at the Montreal Conservatoire ticketing
Taxes included, fees excluded
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[/vc_column_inner][/vc_row_inner][vc_empty_space height=”16px”][vc_column_text]Enjoy 25 % off on concert tickets and other advantages with the Fan Favorite Card
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[/vc_column_text][vc_empty_space height=”16px”][/vc_column][/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”grid” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=”” padding_top=”64″ padding_bottom=”64″ css=”.vc_custom_1604431100391{background-color: #ffffff !important;}”][vc_column][icon_text box_type=”normal” icon=”fa-list” icon_type=”normal” icon_position=”left_from_title” icon_size=”fa-lg” use_custom_icon_size=”no” title_tag=”h5″ separator=”no” title=”Program” icon_color=”#c61fe8″][vc_row_inner row_type=”row” type=”full_width” text_align=”left” css_animation=”” css=”.vc_custom_1604430958047{margin-top: -20px !important;}”][vc_column_inner width=”1/5″][vc_column_text]Friedrich Hartmann Graf (1727-1795)
Trio for flute, violin and cello in D major (Two Quartets […], Two Trios […] Two Quintets […], Augsbourg, v.1780)
Allegro
Adagio
Allegretto
[/vc_column_text][vc_empty_space height=”16px”][/vc_column_inner][vc_column_inner width=”1/5″][vc_column_text]Joseph Haydn (1732-1809)
Sonata for keyboard nº 12 in A major, Hob. XVI.12 (before 1767)
Andante
Menuet & Trio
Finale (Vivace)
[/vc_column_text][vc_empty_space height=”16px”][/vc_column_inner][vc_column_inner width=”1/5″][vc_column_text]Friedrich Hartmann Graf
Sonata for flute and bass [continuo] nº 1 in C major (n.d.)
Allegro
Adagio
Tempo di Minuetto
[/vc_column_text][vc_empty_space height=”16px”][/vc_column_inner][vc_column_inner width=”1/5″][vc_column_text]Wolfgang Amadeus Mozart (1756-1791)
Sonata for violin and keyboard nº 21 in E minor, K. 304 (Six Sonatas, Paris, 1778)
Allegro
Tempo di Menuetto
[/vc_column_text][vc_empty_space height=”16px”][/vc_column_inner][vc_column_inner width=”1/5″][vc_column_text]Joseph Haydn
Sonata for flute, violin and cello in C major op. 11 nº 5 (Six Sonatas for flute, violin & violoncello, Amsterdam, 1773)
Adagio
Menuetto & Trio
Allegro molto
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Les Boréades de Montréal
Founded by Francis Colpron in 1991, Les Boréades focuses on early music. The ensemble has chosen an interpretative approach in keeping with the spirit of the Baroque era, by adhering to the rules of performance practice of the past and playing on period instruments. Critics and audiences alike in Canada and abroad have been unanimous in hailing the group’s energy and spontaneity as well as its theatrical, expressive and elegant playing, indicative of a unique flair for Baroque aesthetics.[/vc_column_text][vc_empty_space][vc_column_text]
Francis Colpron, traverso
Olivier Brault, violin
Mélisande Corriveau, cello
Jean-Willy Kunz, harpsichord
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